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From the author of The Copper Crown, Strange Days: My Life With and Without Jim Morrison, and The Rennie Stride Murder Series
“A treasured collection, the personal voyage of one of the First Ladies of Rock Journalism."
–Kathleen Quinlan, Academy Award nominee
"ROCK CHICK—including writings from the time and her wise thoughts decades after the fact — is like a letter in a bottle washed up onshore…the rare real deal."
–Sheila Weller, author of Girls Like Us: Carole King, Joni Mitchell, Carly Simon—And the Journey of a Generation
"Patricia [Kennealy-Morrison] is Rock Chick. All others can only aspire to be, uh, Rock Chick-esque.”
–Steve Hochman, veteran music journalist, Los Angeles Times, Rolling Stone, KQED, KPCC, etc.
Patricia Kennealy-Morrison is long regarded as one of the Founding Mothers of rock journalism, helping to create the genre that changed the face of the music that shaped the sixties and seventies. As the editor of Jazz & Pop Magazine, Ms. Kennealy-Morrison reviewed that music and met the musicians who became a generation's icons.
And now, years later, she's sharing those memories by republishing her original articles. And we, the readers, can view those moments in time in her unique perspective. For those of us who were there, it's a chance to remember an amazing time. For those who weren't, it's a chance of a lifetime -- to find out what it was really like.
- Sales Rank: #2899463 in Books
- Published on: 2013-07-11
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .79" w x 6.00" l, 1.03 pounds
- Binding: Paperback
- 350 pages
About the Author
Retired rock critic Patricia Kennealy-Morrison has worked in the music industry as the editor of rock magazine Jazz & Pop and an award-winning copywriter and director for RCA and CBS Records. She is also the author of the science-fantasy series The Keltiad (The Copper Crown, The Throne of Scone, and many others), a memoir, Strange Days: My Life With and Without Jim Morrison, and her current series, The Rennie Stride Murder Mysteries (Ungrateful Dead, California Screaming, Go Ask Malice etc.). She is a Dame of the modern-day chivalric order of Knights Templar, a Celtic priestess and a legal minister of the Universal Life Church. She attended St. Bonaventure University, graduated from Harpur College, and has also studied at NYU, Parsons School of Design, and Christ Church, University of Oxford. A New York City native, she currently lives and writes there.
Most helpful customer reviews
6 of 6 people found the following review helpful.
Rock Chick Cutting Edge Critique for 60's Music
By Jym Cherry
Most Doors fans know Patricia Kennealy-Morrison as the woman Jim Morrison married in a Wicca witch ceremony either through one of Jim Morrison's biographies, Oliver Stone's The Doors, or Kennealy-Morrison's own Strange Days: My Life With and Without Jim Morrison. Some may even know she was a writer-editor of Jazz & Pop Magazine from September 1968 until February 1971. But how many of us have the chance to read her articles as a rock journalist? Now we can, Kennealy-Morrison has collected most of the articles she wrote at Jazz & Pop in her new (published July 2013) book Rock Chick: A Girl and Her Music: The Jazz & Pop Writings 1968-1971.
Patricia Kennealy's story is a veritable hippie Horatio Alger story. After graduating from college as a journalism major, Kennealy goes to work as a Go-Go dancer when she picks up a copy of Jazz & Pop Magazine. Kennealy then sends the publisher-editor Pauline Rivelli a letter saying how much she liked the magazine and if she was looking for a writer she'd be interested in a job. A few months later, Rivelli answers Kennealy's letter and, in fact, offers her a job and the rest is rock `n' roll history. In Rock Chick Kennealy-Morrison has collected the majority of her articles. For those of us who weren't there, the opportunity to read them and judge the writing for ourselves. Kennealy was writing at a time when people thought music could really change the world and that optimism and enthusiasm comes through in articles she wrote about The Doors, Jefferson Airplane, Woodstock, and Altamont. The articles cover the gamut of magazine writing from articles, reviews, interviews, and opinion.
Kennealy got started at Jazz & Pop just as rock `n' roll was first being taken seriously as an art form by writers like Richard Goldstein. Kennealy was not only among that first wave of rock writers, she was in the more rarified minority of being a woman writer in a time when rock `n' roll was still very macho, and dinosaur attitudes toward women still existed not only in the older generation but were very much alive with the baby-boom members of the revolution. Kennealy very aptly points this out in her excellent editorial Rock Around the Cock, which one of her points is that the sexual revolution worked out very well for the male members of that generation while female members were still fulfilling traditional roles albeit in hippy garb.
Like any book there are some shortcomings. I'm not sure if she needed to go into so much detail in her post Jazz & Pop career as a copywriter at RCA where among other things she worked on David Bowie's initial ad campaigns when he came to America, but when it gets down to details about how she and radio producers created ads it drags a bit. I also wonder at the inclusion of the article Morrison Hotel Revisited which was written by Elektra publicist Bruce Harris (under the pseudonym of Chris Reabur) and reads like Jim Morrison hagiography while mashing up Doors lyrics and context and stretching the boundary of Morrison's meaning. Kennealy-Morrison freely admits to favoritism in the bands covered by Jazz & Pop (that's why a lot of the articles are about The Doors or Jefferson Airplane, they were her favorites), and perhaps Kennealy-Morrison was doing a friend a favor.
There are also a few quibbling minor things I need to bring up. The first is editing, there are some typos throughout the book and Kennealy-Morrison probably should have had another set of eyes run through before publishing. The worst example is in her interview with Jim Morrison, the one where she first met him and they both felt the spark of electricity between them, it seems astounding that this article is in need of some copy-editing. This last one may just be for Kindle readers, the formatting isn't always correct. Sometimes sentences are cut in half and dropped down a line. These are minor things, but noticeable and frequent enough to justify commenting on.
In Rock Chick: A Girl and Her Music: The Jazz & Pop Writings 1968-1971, you'll find some excellent writing on rock `n' roll and even the times. None of the subjects seem dated in the least. You may agree or disagree with Kennealy-Morrison's opinions (The Doors Ship of Fools ecology rock?). If you're in a mind to give the writing a fair shake; do it, the trip is worth it.
Jim Cherry writes The Doors Examiner
5 of 5 people found the following review helpful.
The people, the issues -- and, always, the music
By Carole McNall
My own music passion was in full bloom by 1968 -- my radio and record player were usually on if I was home and I could often be found dancing around the kitchen to my favorite tunes. That teenager would have loved to be a journalist writing about the music. Since I couldn't be, I'm most grateful that Patricia Kennealy-Morrison was there to chronicle those days and even more grateful that she has gathered her work into this collection.
If you were there, you will likely know the bands -- groups like Jefferson Airplane and, of course, The Doors. You'll find snippets of news from her column, stories about some concerts, record reviews and observations on some of the music festivals (especially Woodstock, which she attended). You can match opinions on the work you know and perhaps find some new/old music to explore.
But you can also find thoughtful, well-written pieces on issues that sound depressingly current in 2013. A controlled but angry piece on the 1968 Democratic National Convention in Chicago stirs echoes of some of the Occupy demonstrations in this decade. Questions about the difference in respect shown to a mediocre all-female band v. a similarly talented all-male band might remind you of some current fans. A discussion of who is responsible for the increase in prices of concert tickets (to $10, sigh) foreshadows today's $50 and up prices; I suspect the culprits (all of us) are the same.
Kennealy-Morrison is intelligent, observant about her subject and a terrific writer. If the music of that era matters to you -- or if you're curious about it -- add this book to your Kindle.
5 of 5 people found the following review helpful.
Those were the days, my friend
By Lynn M. Hogarth
For me, reading Patricia Kennealy-Morrison's Rock Chick: A Girl and Her Music was like going back in time. I was transported back to L.A. in the 60's and the memory that the music was the only thing that reflected the reality I found myself in. There was no internet, no social media, no smart phones hooking us all together - we had the Beatles, Stones, Doors, Airplane, Janis, and on and on. What an immense treat to read Patricia's articles, as they were written, to experience the albums as they felt to her when they first came out, when it was all still new. Enriching the experience is the commentary that stitches each piece together, providing context and a look from now to back then. What a wonderful trip. Whether you were there and want to relive the times, or want to know how it felt to be there, if you love the music this book is a must-read.
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